Dances from India and Ghana (Bharantyam and Kpanlogo

DescriptionThis research paper should be a follow up directly related to the proposal I uploaded, the annotated bibliography that was recently ordered and it must be about the two dances from India and Ghana that was mentioned in the proposal and use the same sources. comprised of a combination of collaborative inquiry and individualized research.The purpose of t the paper is to construct a place-specific portfolio( Indai and Ghana) that include the culture, history, dance history and meaning, or environmental history of particular places ( India and Ghana), and analyze, and discuss an interdisciplinary collection of readings about the academic study of the place, and use references from Miwon Kwon’s One Place After Another: Site-Specific Art and Locational Identity book. The places of choice are India and Ghana. For India, discuss the classical dances of India. Include what’s mentioned above: culture, history and how its connected to the technique of the dance. The specific dance should be: Bharatanatyam dance. Which began in India and was previously known as ‘Sadira Attam’. This is one of the most indigenous classical dances in India that originated in Tamil Nadu. (Caine). This dance began in temples and courts in the Southern part of India, and it expresses the religious themes and ideas of the people. It forms part of the eight classical dances known in India. The second place is Ghana and the dance is Kpanlogo dance. Use the same instruction for this dance that includes region, culture, history, etc. All that I mentioned above. This a proposal that will talk about the two regions and dances that will be researched for the two papers that will follow this proposal. Use eight references in total. (four for each) Format:MLARead more at: https://academized.com/account/orders/748220